幼い息子・晶を連れて、豪雪地帯にある夫の実家に移住した稔（北山宏光）と悠希（加藤千尋）の夫妻。穏やかな日常を願った二人だったが、認知症の父・茂は、なぜか悠希にだけ激しく怯え、亡き妻の名を叫ぶ。ある朝、茂は異常な姿で怪死する――その瞬間を境に、家族は疑念と恐怖に苛まれ、やがて、家の中には不気味な"白い女"が次々と現れ、日常を侵していく―稔は気が触れたかのように、"白い女"の絵を描き続け、幼い晶の目には母の姿が次第に"別の何か"へと映りはじめ、家族は一人、また一人と壊れていく――。 雪の結晶に魅入られ、理性を失った稔、侵蝕される悠希、そして危険にさらされる晶。これは、呪いか、幻想か、それとも現実なのか。 雪原が鮮血に染まるとき、未知の"白い恐怖"が姿を現し、残虐に暴走するー

Minoru (Hiromitsu Kitayama) and Yuki (Chihiro Kato) move with their young son Akira to Minoru's family home in a heavy snowfall area. The couple wishes for a peaceful life, but Minoru's father Shigeru, who has dementia, is inexplicably terrified of Yuki and calls out his deceased wife's name. One morning, Shigeru dies grotesquely in an abnormal state. From that moment on, the family is plagued by suspicion and fear. Soon, eerie 'white women' begin appearing in the house one after another, encroaching on their daily lives. Minoru, as if losing his mind, keeps drawing pictures of the 'white woman,' while young Akira's view of his mother gradually begins to reflect 'something else.' One by one, the family members break down. Minoru, captivated by snowflakes and losing his reason; Yuki, being eroded; and Akira, placed in danger. Is this a curse, an illusion, or reality? When the snowy plains are stained with fresh blood, an unknown 'white terror' appears and runs amok with brutality.

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Source: cinematokyo.com · Tokyo mini-theater & independent cinema showtimes.